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(The same might be said of the casts in Salt Lake City or Potomac, too.) Human-rights groups outside the country have also complained, saying that the series ignores the dark side of the United Arab Emirates, which has a poor record on minorities and migrant workers. Some Emiratis have criticised the show for its vulgarity and excess, pointing out that the women on screen do not reflect real housewives.
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Ms Milan, who is Jamaican-American, jabs at America when explaining why she raises her sons where she does: “Dubai is safe, especially for little black boys.” (The Gulf is hardly free from prejudice consider the migrant workers who were trapped in squalid dorms during the pandemic.) By presenting Dubai as secure, fun and permissive, the series plays by the emirate’s rules. The housewives’ skimpy clothing, girl-boss chat and “hustler” mentality may surprise some viewers in America.īut though the women squabble, they are united in their defence of the emirate. “I think Arab women need a PR campaign in the Western world,” she says. She laughs, before answering: “They obviously haven’t been to Dubai.” Sara Al Madani, the only Emirati “housewife”, says she mainly went on the show to change how Americans view the region. A producer asks Ms Ali, who is Lebanese-American, why most people think women in Dubai are submissive. The show questions American and European representations of Arab women. (This trauma explains why she was so upset about being excluded from a bachelorette party, she tells viewers.) She gives a goat to Lesa Milan, a fashion entrepreneur, for being a good friend. Chanel Ayan, the model, recounts how her father tried to marry her off at the age of 14 in Kenya. The storylines are shaped by the women’s backgrounds. It is an accurate reflection of cosmopolitan Dubai, where foreigners vastly outnumber locals: Emiratis make up a little over 11% of the population. The others come from America, Britain, Jamaica and Kenya. Two of its stars are Arab, only one of whom is Emirati. Its cast endorses the notion of the emirate as a melting-pot, and its line-up is more diverse in terms of race and nationality than most other editions of “The Real Housewives”. On the whole, the superficial world the women inhabit is both repugnant and riveting, and reinforces stereotypes of Dubai. South-East Asian nannies and maids appear to hand “madame” her designer sunglasses.
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At times the flashy, international veneer is pierced, reminding viewers that they are in the Gulf.